Workshop

Memory, Nostalgia and Theatre

Advanced seminar on playwriting with Simon Longman
Dates
From 07/07/2024 to 13/07/2024
Time

From 10 a.m. to 2 p.m. and from 4 p.m. to 6 p.m.
(Saturdays, only morning)

Price
Activity closed to the public

The participants in this seminar are authors recommended by collaborating institutions.

“Memory believes before knowing remembers.”

William Faulkner, Light in August

Where are we, now, in time? We’re in the present. The little seconds. Those little seconds that hold a little thought and then gone. Where do they go? All these thoughts that become the past as soon as they are born. Where are they now? Lost, somewhere in the folds of a brain. In the spaces between matter. In the air. Where are they? All these memories? All these memories of moments now lost. Lost moments that you want back so much it hurts. Or lost moments that you wish had never happened. You wish so hard it hurts. Where are they? Somewhere in time. Somewhere you can’t feel them, literally, anymore, but they remain. Don’t they? Echoes. Echoes of moments that make you, and us, who we are. That makes the world how it is. How we live. They shape the future. Those moments. They shape it all. But where are they? Where have then gone? And why do people spend so long wishing, so desperately, that those moments, those past moments, were right now? It comes up so much. In politics, in societies, in geographies. But also within us. In our yearnings for a time now gone. Our desire to forget a pain that won’t go away. Our need for love.

Nostalgia is a strange thing. Especially now. It feels like it’s everywhere. People nostalgic for a time they never knew. Nostalgic for a time they did know and wish they were back there now. Is everyone hiding in the past because the future looks so daunting? So violent? So destructive? Perhaps. Or maybe it’s smaller than that. Maybe thinking about the world is too big. So people retreat into nostalgia for when they felt safe. Their childhood bedroom. A teenage romance where nothing and everything felt alive. Lost love. Do we retreat into memory when what is in front of us feels too overwhelming?

Nostalgia comes from Ancient Greek. Nostos – return, home. Algos – pain. A pain for home. To return home. A sickness that can only be helped by returning home. Nostalgia is a sickness and to return is the cure. But what if there’s nothing to return to? When that home has gone. Been destroyed or lost in time. When home was love. When that love has gone and won’t come back. The yearning for a time that you might never see again.

That’s what we will think about together. Memory and nostalgia. And theatre. How can we understand memory? How can we express nostalgia?

Simon Longman

“Goodbye, goodbye!
There was so much to love, I could not love it all;
I could not love it enough.”

Louise Bogan

The guest playwrights of this edition are Thomas Dufour (Quebec), Asli Ekici (Turkey), Tommaso Fermariello (Italy), Aura Foguet (Catalonia/Balearic Islands), Veikka Heinonen (Finland), Irene Hérraez (Spain), Julian Karenga (Norway), Pierre Koestel (France), Yilong Liu (EEUU), Diego Lois Petit (Uruguay), Tomáš Ráliš (Czeck Republic) and Katherine Soper (United Kingdom). All of them have been recommended by international theatres and centres. They will send in advance a short play on the subject. These plays will be translated into Catalan and presented in the form of a staged reading. The readings will be open to the general public.

Within the GREC 2024 Festival de Barcelona.

Registration is closed

Lead by: Simon Longman

Participants:

Thomas Dufour (Quebec)
Asli Ekici (Turquía)
Tommaso Fermariello (Italy)
Aura Foguet (Catalonia/Balearic Islands)
Veikka Heinonen (Finland)
Irene Hérraez (Spain)
Julian Karenga (Norway)
Pierre Koestel (France)
Yilong Liu (USA)
Diego Lois Petit (Uruguay)
Tomáš Ráliš (Czeck Republic)
Katherine Soper (United Kingdom)