Advanced Playwriting

Yeşim Özsoy, author of Històries d’Istanbul, which will be premiered at this year’s Grec Festival, is the most outstanding Turkish playwright of the moment. Our subconscious is an important part of our writing process. In this workshop we will be making a journey from our unconscious to the sheet of[...]

Jean-Pierre Ryngaert, one of the great theorists of contemporary French theatre, proposes a course where the word and dialogue form the central core. Ordinary conversation is not the same as theatrical dialogue, which in the last few decades has undergone all the transformations imaginable, when it has not disappeared completely.[...]

Lola Blasco was winner of the Ministry of Culture’s National Prize for Dramatic Literature for Siglo mío, bestia mía. In times of disenchantment, the search for magic, for “what could be”, is one of the few threads that as creators we can latch on to. An era of religious fanaticism,[...]

Anthony Nielson, one of the most experimental and innovative playwrights in today’s theatre scene in the UK, will share his creative process based on working with actors. In the UK, the standard practice is for playwrights to write, over several months, in isolation and then for that finished play to[...]

More information: Catalan / Spanish

Roger Bernat recovers diverse materials (images, manifestos, accounts and historical stagings) to produce shows that, far from consecrating documents, show what these documents represent and what they can do now. This workshop will be a practice in staging in which, instead of using dramatic texts as a basis, we will[...]